Tampilkan postingan dengan label Romeo et Juliette. Tampilkan semua postingan
Tampilkan postingan dengan label Romeo et Juliette. Tampilkan semua postingan

what time does the performance tonight endthanks

Tonight's performance of Roméo et Juliette will run just about 3 hours, so should wrap up close to 10:30pm.

Note that downtown will be busy tonight - there's a hockey game! Check the Your Night At The Opera on www.vancouveropera.ca for tips on parking.

Opening Night at Roméo et Juliette

Here are a few shots from opening night of the spectacular Roméo et Juliette!


Here's Peter Volpe (Frere Laurent) with Irving Guttman, CM, OBC, Artistic Director Emeritus of Vancouver Opera.

And here's Simone Osborne (Juliette) with General Director James W. Wright


Aaron St. Clair Nicholson (Mercutio) performs at a pre-show event with Principal Répétiteur / Assistant Chorus Director Kinza Tyrrell on piano


Guests at the Opera Round Table Prelude Dinner

There are only 3 more performances of Roméo et Juliette remaining! Read the reviews in the Straight , the Sun and Vancouver Is Awesome!

Get O.U.T. and see Romeo et Juliette

Attention  under-30s! We've released more $25 Get O.U.T. tickets for Roméo et Juliette!

Visit www.vancouveropera.ca/tickets/ or call 604-683-0222. Use promo code 3437.

Only a limited number of $25 tickets are available for selected performances, so get yours quickly!

The fine print:
- Tickets must be picked up from the VIP desk at the Queen Elizabeth Theatre on the evening of the performance

- Everyone attending the performance with a Get O.U.T. ticket MUST be between the ages of 19 - 29. You'll be asked to show ID at the theatre.

Rapiers and Switchblades


Yesterday I went downstairs from my office to the M.L. Henley rehearsal hall to watch a bit of the big “fight scene” in Romeo et Juliette. It was fun to watch the rehearsal, as the men worked on their sword play and then worked on timing that to the music. Of course, my thoughts went back to the “rumble” in West Side Story, and I enjoyed making the mental comparison of the two scenes which of course is part of the fun, isn’t it, of pairing the two Shakespeare-based works together this fall. This week the gang action features rapiers and daggers; last month it was fists and switchblades; same anger, tension, prejudices, and outcomes.

We don’t often “pair” works in an obvious way – usually I think the concept is too cute or too far-fetched. But I like this pairing of great music theatre works because they represent pinnacles of their composers’ work in the theatre, tell the same story in different but equally moving ways, and relate strongly to Shakespeare’s play but put distinctive, emotional spins on the play, and contain incredibly articulate vocal and orchestral music that speak directly to their original audiences and audiences today.

- James Wright, General Director