La Clemenza di Tito Demands Reconsideration
Photo credit: Tim Matheson
Much of the score is Mozart at his best: complex, sometimes contradictory, rich in great tunes, subtle details and ever arresting. While the plot bumps along from convention to convention, the music is an unfolding sequence of joys and epiphanies, supervised with real eloquence by conductor Jonathan Darlington.
To read more from Vancouver Sun's David Gordon Duke, click here.
